Hello, and welcome back to Public Kayfabe, your one-stop shop on how to land and execute top interviews with wrestling’s elite! As it was announced on our social media updates, this installment was delayed due to some unforeseen schedule changes. However, Vince McMahon once said; “Anything that can go wrong in wrestling, was meant to happen. You’ve got to make the best of the cards you are dealt.” Despite the hiccups, we’re taking the Chairman of the Board’s advice to heart and bring to you the main event of our wrestling extravaganza!

Our journey together has been incredibly special, and we’re going to take you back to the era in which Public Kayfabe is inspired from, the “independent wrestling boom”.
When sitting down with any talent, most of the time their fondest and most vivid memories will start with a locker room tale. One where their patience was tested, and their stripes were earned. The place where comraderies are built and some of the greatest matches are booked.
Similarly, Public Kayfabe’s history also began in a locker room, when our wordsmith stepped into her first one, on April 16, 2010. On the cusp of the revolutionary shift, the makeup of the future rosters of WWE, NXT, AEW, Impact and Ring of Honor, were opponents across the ring from one another. Fighting for sometimes a $10.00 nightly payout, amongst a half-capacity crowd in places like Covina’s Knights of Columbus, and the American Legion Post in South Gate, you could feel the intensity among the roster, instantaneously. You could sense the dedication and persistence these men and women had to perfecting their craft, while still trying to balance out every aspect of their adult lives, all with the hopes of one day making their mark in the business.
Let us paint this 2010 wrestling landscape picture for you. WWE ratings hit a major slump that were reminiscent of the Attitude Era when WCW ran supreme throughout the 1990’s Monday Night Wars. Main event matches were almost identical on every pay-per-view, and McMahon’s global touring juggernaut with its once powerhouse roster, seemed to be proverbially pulling at straws on who to bring back or promote, to sell out arenas. Additionally, the WWE’s commitment to an outdated archetype of a muscle-bound bodybuilder who was flanked by beautiful and dainty women as their valets being billed as the “top talent”, no longer connected with fans, and audiences soon took notice of the regional talent on both coasts. “People were realizing some independent wrestling was actually better than what they were used to on TV,” SoCal veteran wrestler Charlotte Sia, said of the wrestling fanbase shifting their attention during the start of the “independent wrestling boom”.
The performers who sent shock waves with their aggressive style, no longer looked, or built themselves up as a character like Hulk Hogan or Ultimate Warrior. This was an era that witnessed women took center stage, no longer residing to being ringside eye-candy. They could hold more than their own in the ring and were better than many of their male counterparts. This new breed of talent looked, spoke, and thought like their fans. It was that relatability that allowed these athletes to turn the business upside down, and started to shape it in their own image. The Midwest and East Coast fans had performers like “Johnny Wrestling” Gargano, Adam “Bay Bay” Cole, Tyler Black, Kevin Steen now known as WWE superstars Seth Rollins and Kevin Owens, Bryan “American Dragon” Danielson and CM Punk make waves in their territories. They showcased smaller guys or as WWE’s Chief Brand Officer Stephanie McMahon would refer them as “B+ players”, could put on some of the best matches in the business. It was history-making feuds like the one Danielson and Punk had in Ring of Honor that trailblazed a path for talent to be bred on the West Coast. “When guys like Owens/Steen, Punk, Danielson and Black (Rollins) assumed to the tops spots in what was the ‘major company’, that was the start of the shift,” said Adam Woods from the According to Woods Podcast, when asked about the wrestling business shift towards independent talent emerge to the “big time”.
Coming up during that era, you could see the business and revenue shift, as local promotions started to boom with more bookings, talent, and attention. Alternative Wrestling Show gave women dedicated time on every card, the chance to be developed and utilized as core members of the roster. Santino Bros. out of Bellflower, and the Empire Wrestling Federation from San Bernardino helped form the independent circuit by hosting training sessions and teaching aspiring wrestlers the tips and tricks of the trade. While promotions such as PWG and Wrestling Cares Association helped Gargano, Cole, Timothy Thatcher, and Drew Gulak to get exposed with the local fans. Even with the fly-in talent coming to perform, it was OUR homegrown talent who have made some of the biggest marks on the business. From NXT superstars Candice Lerae, Shaun Ricker – now referred to as LA Knight, and Russ Taylor who was a founding member of the Diamond Mine. To ROH’s Tyler Bateman, one-half of the AEW inaugural tag-team champions, Scorpio Sky, are just a few of SoCal’s wave of talent to hit the “big time”.

Currently, we find ourselves amid another shift. The world dropped to its knees as the COVID-19 pandemic catastrophically hit in early 2020. The beautiful irony with today’s landscape is those same men and women who were able to push their merch at the tables in those dingy halls of the independent scene, have become innovative in their hustle. They have taken those marketing skills to connect with their fanbase online, but also recoup their performance payouts. The future is uncertain for our beloved business, but what rings true is that no matter the medium, wherever you build elite talent, success will come.
Thank you once again for tuning into Public Kayfabe’s nine-part series! We hope you enjoyed this experience, and we’ll see you down the road!
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